all major and melodic scales on b flat clarinet

To change C Dorian mode into the C natural minor scale, you remove the A and replace it with A-flat. To change C Mixolydian mode into C Dorian mode, you remove the E and replace it with E-flat. (In this diagram and all the ones that follow, blue notes are flat or minor intervals above the root.) To change the C major scale into C Mixolydian mode, you remove the B at the clockwise end of the necklace and replace it with B-flat at the counterclockwise end. For example, to change the C major scale into C Lydian mode, you remove the F, the furthest counterclockwise end of the necklace, and replace it with F-sharp, adding it onto the furthest clockwise end of the necklace. It’s easy to transform the major scale into its parallel modes by adding and removing notes from the ends of the necklace. This kind of circular representation is called a scale necklace (or sometimes scale bracelet). The green notes form major or “natural” intervals above the root. The purple notes are the ones that form “perfect” intervals above the root C: unison, octave, fourth and fifth. Here’s the C major scale on the circle of fifths: But it also helps explain how the major scale and diatonic modes relate to each other, and gives a possible explanation for why they sound good. For one thing, it can help you understand how key signatures work. An assigned scale makes a convenient add-on to a chair audition or a report card test.If you want to understand Western music theory, the circle of fifths is an invaluable tool.

Choose a key that pertains to the orchestral repertoire.

Five minutes of scales at the start of an orchestra rehearsal make a good warm-up.

Leave out the last whole note until the end.

A really advanced string section can play any line in quarter, eighth, and sixteenth notes in sequence.

Finally tempo can be raised to any practical level. Gradually, reduce to twice, then single.Teachers will want to begin by playing every note at least four times so that players can adjust pitch.Good bass players have to learn to shift too. Nevertheless, no attempt was made to “dumb down” this part. The bass parts are necessarily the hardest since a range of two octaves will require very high shifts.An attempt was made to have each instrument begin in an “effective” part of its range: i.e., first position on it’s lowest string. All scales will sound in octaves in an orchestra setting arpeggios sound in parallel sixths.TWO OCTAVES SCALES AND ARPEGGIOS is a collection of scales for mixed strings in the most common keys.

All major and melodic scales on b flat clarinet